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In Full Bloom

Garden Scene
Garden Festival Augusta Georgia

Photography by Trudy Rass

If it’s April in Augusta, then it must be time the Garden City Festival.
The Garden City Festival at Sacred Heart is a spring celebration with strong roots in the area.

This two-day event will feature a wheelbarrow full of fun for those with or without a green thumb at Sacred Heart Cultural Center Friday, April 21 and Saturday, April 22. The annual festival also features tours of gardens that normally are not open to the public.

Festival-goers can gaze at landscape and floral exhibits; discover hard-to-find plants, garden accessories and decorative items in the Garden Market; and listen to experts in the fields of plants, garden design and eco-friendly living as part of the speaker series.

In Wandering Workshops, vendors will teach mini-sessions on various topics with pop-up demos. These quick sessions, located in the courtyard across from the speaker stage, will offer “how-tos” and valuable garden information.

On Seedling Saturday, families can garden together in hands-on activities such as planting sprouted seeds, making seed balls and learning different ways to start seeds. (Admission for children 12 and under is free with a ticketed adult.)

Food and beverage vendors will be on hand as well. Breakfast items will be available inside Sacred Heart’s Great Hall from 9 a.m. – noon Friday and Saturday, and lunch will be sold at food trucks outside the venue from 11 a.m. – 2 p.m. both days.

Tickets for the festival can be purchased by calling (706) 826-4700, online at sacredheartaugusta.org or at Sacred Heart and various locations in the area.

For those who want to branch out from the festival itself, other related events will take place at Sacred Heart as well.

A preview party is scheduled for 6 p.m. Thursday, April 20. Tickets are $75 per person, and the event will include shopping, dinner and music. For reservations, call (706) 826-4700.

An evening garden social, featuring a catered barbecue dinner, music by The Mason Jars and dancing, will be held 5 p.m. – 9 p.m. Friday, April 21.

Form and Function

In The Home
Magnolia Ridge home of Evans residents Kelley and David Pope

Photography by Sally Kolar
Before photos courtesy of Birdsong Design Co.

A family’s unfinished basement – a longtime group gathering spot – is transformed into a complete living space with a bedroom, bath and full kitchen.

At the Magnolia Ridge home of Evans residents Kelley and David Pope, their basement has long been a place for them to get together with their five children, their friends, their children’s friends, church groups and neighbors.

A year ago, however, they decided to turn the basement into a stylish, comfortable space to share with friends and family, so they turned to Amanda Pierce of Birdsong Design Co. for her expertise.

“It needed to be a place where we could gather and have food,” says David. “We use it every week for community events.”

Based on her clients’ needs, style and budget, Amanda, an expert in eDesign, puts together a detailed room plan that includes tips for placement and paint colors as well as shopping links to materials and furnishings to complete a custom project. She put together a design board for the Popes with their desire for a community space in mind.

“I knew that lots of different types of people would use the space. It needed to have more designated spaces for people to sit together,” says Amanda. “We wanted to bring in some elegance, some cozy and also some functional textures that could handle a lot of people.”

form and functionSitting Pretty

The basement, which also was used as a play area and workout room, had become a place where a hodgepodge of furniture and exercise equipment had collected. With the three-month renovation, however, the room has become a cohesive space that is made for group get-togethers and serves as a place for overnight guests to call home.

Along with a sitting area with a fireplace and additional tables and chairs, the renovated basement includes a full kitchen, bedroom and bath.

“We wanted to make it a more functioning space for our groups and our parties,” Kelley says. “We wanted lots of seating, but we didn’t want it to be cluttered.”

The main sitting area features a sectional couch, two leather stools, two chairs with metal legs and a round metal table. David, Kelley and her father installed the fireplace, which has a plaster fireplace surround and a wood mantel that’s painted white, themselves.

Before the renovation, this area consisted of three large couches and no fireplace.

Additional sitting areas include two live-edge, handmade poplar tables with black X-shaped iron legs in the center of the room. The tables are positioned into poles in the basement as if they belong together. Black metal and leather chairs provide seating for the tables.

Inspired by an authentic Italian farmhouse, a wood table sits beneath a natural rope and patinaed brass tapered string pendant light. More black metal chairs surround the oval table.

“The chairs are light and easy to move, and black metal doesn’t fight with the floor,” says Kelley.

However, that is not the only benefit of the seats. The destruction-proof metal chairs are perfect for the group of 27 high school seniors that gathers in the basement every week to talk about their faith, their lives and their relationships.

The basement already included a bar. However, oak and metal stools, along with antique gray and blue concrete pendant lights above the countertop, updated the look. In addition, a pass-through window to the outdoor kitchen was added above the bar to bring in more natural light.

Before the renovation, the basement also had a concrete floor and a drop ceiling with a grid. Now, however, the room features durable LVP flooring and a vinyl plank ceiling with a wood look.

The kitchen features a Riad tile backsplash, sea pearl quartzite countertops, brass sconces above the black quartz undermount farmhouse sink and a brass faucet and hardware.

A mud bench, which is a catchall for pool-related paraphernalia such as towels, floats, goggles and water toys, acts as a bridge between the outdoor pool area and the inside.

Magnolia Ridge home of Evans residents Kelley and David PopeDespite the multiple sitting areas, the basement still has plenty of floor space to set up cornhole boards or extra tables for game nights

The Test of Time

The bedroom and bath not only offer a place for overnight guests to relax and unwind. The living quarters also were designed with the idea that Kelley or David’s parents could one day move into the space if necessary.

Although the bedroom and bath previously were open spaces that held exercise bikes and a treadmill, the spaces now are cozy retreats. The bedroom features a wool rug, linen headboard, brass floor lamp and a night stand with a reclaimed wood look. A double pocket door leads to the room, and doorways to the bedroom and bath are wide enough to be handicap-accessible.

Magnolia Ridge home of Evans residents Kelley and David PopeThe bath features a vanity with a marble countertop; matte black fixtures, plumbing and hardware; and black matte wall sconces with shades. In the shower, a glass front half-wall showcases the white subway tile. The classic black-and-white penny and square tile flooring ties the room together.

David’s favorite spot in the basement is the kitchen island. “It’s the perfect place for people to connect with others, and it has a clear view to the pool and the woods outside,” he says.

After all, the kitchen always seems to be the gathering spot in any home. And, the Popes are quick to point out, even their young guests – including the teenage boys who meet there every Sunday night – take care of the space.

The couple appreciates that the space is beautiful as well as functional, and they plan to enjoy it for years to come.

“From the lock for the double door to the pulls for the bathroom door, every little detail is so fun,” Kelley says. “We did not want to be surprised. Everything in the basement was on our design board, and everything will withstand the test of time.”

By Betsy Gilliland

There She Is

People

Photos courtesy of Karson Pennington, Marszalik Photography and Matt Boyd Photography

When the Miss America Organization marks its 100th anniversary this year, Columbia County will have cause to celebrate as well.

Talk about a crowning achievement. Representing the state as Miss Georgia, Martinez native Karson Pennington, 23, will be one of the candidates vying for the job of Miss America in Uncasville, Connecticut this month.

Karson has been involved in the Miss America Organization for more than a decade, winning multiple competitions. She followed in the footsteps of her mother, who competed in Miss Georgia in the 1980s, and her older sister, Kendyl, who has won numerous titles of her own.

In 2008 Karson won her first title, Miss Georgia Princess, at age 10. Competing as Miss University of Georgia for the statewide crown, she won the title in Columbus in June.

“I was in a complete state of shock to hear my name called as Miss Georgia 2021,” she says. “I thought of 10-year-old Karson watching Miss Georgia for the first time. I was sitting in the audience, and I wanted to be just like her and all of the other incredibly accomplished women on the stage. After 13 years, my dream had finally been realized. It was the best feeling in the world.”

She is proud to represent her home state as one of “51 incredible candidates who are talented, highly educated and give back to their communities.”

 

Hear Her ROAR
With her resume, she should feel perfectly at home with the other Miss America candidates. Currently, Karson is a second-year doctoral student in political science and international affairs at UGA.

The diehard Bulldog graduated magna cum laude with high honors from the university in May, earning three degrees – a Bachelor of Arts in political science, a Bachelor of Arts in history and a Master of Arts in political science and international affairs – in four years.

As a doctoral student, she teaches classes and conducts independent and departmental research focused on federal judicial politics. In the future Karson hopes to become a collegiate professor.

Her Miss Georgia duties include the promotion of education and literacy through her social impact initiative, ROAR: Reach Out and Read, which she has pursued since she was 12 years old.

Diagnosed with onset fluency disorder at age 3, Karson stuttered as a child. Her pediatrician suggested that her parents start teaching her to read so she could practice pronouncing words as she read aloud.

“I started reading then, and I haven’t put down books since,” she says.

With her mascot, Lucky Lion, she visits classrooms, donates books, and educates students and parents on the importance of literacy skills. Karson also wrote “Lucky Learns to ROAR,” which is available as an e-book on her website, roarreachoutandread.org.

She schedules appearances and advocates with the state legislature for educational funding as well.

“Miss Georgia is an 8-to-5 full-time job. It’s not just wearing a sash and crown,” Karson says. “I love to get dressed up in an evening gown and represent Georgia, but I spend a lot of time sitting at my desk on my laptop and communicating with people.”

Getting Ready
She also carves out time to prepare for the talent, interview and evening gown portions of the upcoming Miss America competition. Karson, who was a four-year member of UGA’s Georgettes Dance Team, will tap dance in the talent segment.

Four or five days a week she goes to the dance studio to rehearse her routine for two hours at a time, and she closely follows current events to prepare for the private and onstage interviews.

In September Karson attended a 10-day Miss America orientation, when she met the other candidates for the first time.

“It’s crazy to say that I have a friend in every single state now,” she says. “It’s a sisterhood, even though we’re all competing for the same thing. We develop an incredible bond by going through this shared experience.”

Karson has won more than $23,000 in scholarships through the MAO competitions, enabling her to pursue her Ph.D. She also gains poise and confidence by appearing on stage and through MAO mentorship programs.

The final round of the five-day competition will be held Thursday, December 16, and her parents, Kathy and John Pennington, and her sister will be in the audience to support her.

Despite the similarities to other competitions, Karson expects Miss America to be different from her previous experiences.

“I think there’s a little bit more pressure, but the pressure is almost lower, too, because I’ve made it to this level,” she says. “I competed at Miss Georgia more than one time. I will get only one chance to compete at Miss America, and I’m honored to stand on that stage.”

The fact that this year’s event is the centennial anniversary is special to Karson as well.

“There will only be one 100th anniversary class, and I’m in it,” she says.

By Sarah James

Well-Oiled Machine

People

Photography by Sally Kolar

Restoring vintage Farmall tractors keeps a Lincolnton man 92 years young
It doesn’t matter if he is at sea, in the air or on land. As long as he is working with his hands, Lincolnton resident Buddy Hawes, 92, is a happy man.

He served as a diesel engine mechanic in the U.S. Navy from 1948-52. He got his pilot’s license in the mid-1950s, and he raced motorcycles for 10 years in his younger days.

Hawes and his ride even landed in Street Chopper magazine one year after a photographer spotted him with his motorcycle during Bike Week in Daytona Beach, Florida.

He reaps his biggest rewards, however, by restoring vintage red Farmall tractors at the Lincolnton property where he grew up. Farmall is a model name for a brand of tractors manufactured by McCormick-Deering, which later became International Harvester. The general purpose tractors had their origins in row-crop tractors.

“I just like to take nothing and make something out of it,” Hawes says. “I’m a workaholic. I figured if somebody else can do it, I can, too.”

Steady Work
Hawes lived in Belvedere. South Carolina for 40 years and worked as a welder at Federal Paper for 32 of those years before retiring at age 62.

He and his wife, who passed away in November, moved back to Lincolnton to take care of his ailing parents in 1987. They finished their house in 1991 on the property where he was raised.

The house isn’t the only structure on the 114-acre property, though. In the mid-1980s Hawes built a 50-foot-by-40-foot shed where he restores the tractors (and motorcycles), and he has about 30 to 40 tractors in various stages of disrepair that require his attention.

Of course, he also needed some place to keep his finished tractors, so two years ago at age 90 he built a 40-foot-by-80-foot shed where he displays the fruits of his labors.

He poured the concrete floor, and a sign that reads “Buddy’s Tractors” hangs from the ceiling just inside the door. About 20 restored tractors are lined up as neatly as a row of crops on either side of the structure, and an identifying plaque accompanies each tractor.

There’s the “Daddy Ralph,” which was “the first tractor I ever saw when I was five years old,” Hawes says. He worked hard to add this one to his collection. Originally, he tried to buy it from its owner, Rob Bentley, but he wouldn’t sell. Neither would his wife after he passed away. Ultimately, Bentley’s brother, Ralph, willed it to Hawes because he knew no one else was more deserving of the tractor.

Hawes has a 1929 Farmall “Regular,” which is credited with being the first successful mass-produced row-crop tractor. For most of its product life, the tractor was marketed as the “Farmall,” but “Regular” was added to the name after production of the F-20 and F-30 models followed it.

His oldest tractor is a 1924 model, and his 1939 model is the first tractor that he ever used as a 10-year-old. “When my dad bought that tractor, we got rid of the mule,” Hawes says.

He prefers the all-purpose Farmalls, which were manufactured from the 1920s to the 1970s, to other tractors for a simple reason. Farmall was the brand that the local dealership carried, says Hawes.

He didn’t have to be as persistent to get all of his tractors as he had to be to get his hands on the Daddy Ralph, though. Some were easy to acquire; others required extra effort.

“People had them stored in their yards or sitting in the woods,” says Hawes. “I had to use a chainsaw to get to some of them.”

He uses a trailer to transport them to his property, where he also has a vegetable garden and a pond.

“When I was able, I worked on them every day for 12 to 16 hours a day,” says Hawes. “I would get started and work until midnight.”

Now, however, he works on his tractors “only” four or five hours a day. He puts about 200 manhours into the restoration of each tractor, and he has finished one in as little as three months. Hawes says the costs run about $3,000 per tractor.

To restore the machines, Hawes completely dismantles them, sandblasts them, reassembles them and finishes them with a coat of polyurethane paint.

Farmall tractors originally were painted blue-gray (but the wheels usually were red) until the color of the entire tractor was changed to its distinctive “Farmall” red in mid-1936. At one time there were 1,200 different tractor manufacturers in the United States, Hawes says, and companies started painting their tractors brighter colors for branding purposes.

Most of the tractors have hand cranks, but Hawes says manufacturers began adding starters to them in 1940.

Good Company
Hawes understandably takes great pride in his work, and the tractors in the display shed are in good company. They are joined by other farm machinery that he has restored as well as nostalgic artifacts that have special meaning to him.

The machines include a 1902 Mietz & Weiss hit-and-miss miss hot bulb engine and a Le Roi Tractair, a tractor and air compressor combination. Just about every piece of equipment has a history, but the story behind the Le Roi restoration might be Hawes’ favorite one.

When he was restoring it, he couldn’t find the rings he needed to fit around the pistons because he didn’t have the parts number.

“No one wants to help you if you don’t have the number,” says Hawes.

Well, almost no one. He knew the size of the rings he needed, so, undeterred, he called Hastings Manufacturing Company, a replacement piston ring manufacturer in Michigan, to try to get the parts.

“I talked to two people, and they finally switched me to someone in the engineering department,” he recalls. “She asked me to wait while she looked it up, and then she said, ‘Is that for a Le Roi compressor?’ I’ll never forget her name. It was Lisa Townsend.”

He keeps smaller mementoes in his shed as well. For instance, a toolbox that hangs on a wall in the shed is not just any toolbox. It was Hawes’ first toolbox, which he built himself at age 14, and it still has the original implements such as a saw, a hammer, a brace and bit, a hatchet and a hacksaw, carefully stored inside.

Always a stickler for details, he even painted likenesses of the tools in the box so he knows where they belong, and more importantly, so he “knows what’s missing.” On the inside of the door, he wrote “Made by Buddy Hawes 1944.”

Parked by the toolbox is a refurbished bicycle that his son, Al, used as a boy to deliver the Aiken Standard on his newspaper route. Naturally, Hawes painted the bike red and added “Farmall” to it.

Other vestiges from the past include an old cookstove that he restored, a retro wooden wall telephone, an antique cash register from his father-in-law’s store, Farmall signs and an old gas pump.

Photography by Sally Kolar

And then there’s the customized casket that rests on the back of a bright green mule-drawn cart in the back of the shed.

Hawes got the cart from his friend and local aerobatic pilot, Gary Ward, and restored it as well. He remade the seat and the framework, except for the wheels. The cart had belonged to Ward’s grandfather, George Ward, so the elder Ward’s name is painted on the side.

Of course, there’s a yarn behind that casket as well. Hawes traded 35 boiler tubes to a local undertaker for it several years ago. He spent a week transforming the casket to his liking, painting it – what else? bright Farmall red – and adding Farmall decals to it.

“My wife raised hell when I got that casket,” Hawes says. “But everybody needs one.”

At the rate he’s going, however, he isn’t going to need it any time soon. After all, he still has parts from those 30 or 40 tractors, waiting to be put back together better than ever.

By Betsy Gilliland

Local Talent

People

Photography by Sally Kolar

Fans of the supernatural can look forward to a new movie featuring a homegrown cast and crew.
Filming recently wrapped up in Columbia and Richmond counties for Applewood, an indie horror-based thriller that will be released in late 2021 or early 2022.

“Almost all of our talent and crew are locally based,” says production supervisor Nik Wilets of Augusta. “We have a crew of about 50 people, and 35 to 40 of them are local.”

The film also was written by local resident Amy Rhinehart Bailey and Rob Hollocks, a British director, producer and screenwriter who lives in Los Angeles. In addition, the film’s three lead actors, Kate Dailey, Susan Willis and Nathan Rothwell, live in the area.

“The film is a labor of love for these people,” Wilets says. “I think small teams usually make the best products. There’s a certain esprit de corps with a small team.”

The horror-based thriller, based on a story by local writer Zach King, is about “a woman who buys a house and remnants of the past come back to her,” says Wilets.

Some scenes were shot in a Columbia County neighborhood and a local ATV park. However, Wilets says the Clay House on Milledge Road in Augusta will be one of the most recognizable locations in the film. “We show the Clay House in decay, and in flashbacks, in its heyday,” he says.

While Georgia has become a leading destination in the world for filming, Wilets says Columbia and Richmond counties are becoming more popular among filmmakers.

“Atlanta has become a little overused, and this area offers a bit of originality. There’s a lot of diversity here,” he says.

Wilets believes the film will resonate with audiences. “I hope they have some thrills and scares. There’s also a lot of takeaways about loss and redemption,” he says. “I hope they enjoy a good story.”

By Todd Beck

Gardelle Lewis, Jr.

Real Estate

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Real Estate

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A Love Story to Remember

People

(From left) Abigail Johnson, Abigail Jessee and Georgia Martinez share the bonds of friendship and the appreciation of a good love story. Through their businesses, they held a contest, which was open to all CSRA residents, to highlight the love stories of four local couples. The winners received a complimentary photo shoot from the business owners and the opportunity to tell their stories in Columbia County Magazine.

As the brainchild of Abigail Jessee of Abigail Marie Creative, “A Love Story to Remember” tells the love stories of four local couples. She started her business to share people’s lives, and particularly their love stories, through photography.

“I love a good wedding photo, but I started thinking, ‘Where are all of the other love stories?’” she says.

Enlisting the aid of her friends, Abigail Johnson of Rosilie’s Rentals and Georgia Martinez of Georgia Miller Photography, they launched the project with a contest to showcase the love stories of local residents. The winners received a complimentary photo shoot and the opportunity to share their stories in Columbia County Magazine.

Abigail Jessee and Georgia shared photography duties; Abigail Johnson provided vintage props for the photo shoots.

“The best part about this process was reading all of the submissions,” says Abigail Jessee. “I was so encouraged that every story was unique its own way.”

With her camera, Georgia loves to peek behind the scenes. “Taking part in this project was an enriching, beautiful experience for me. Although I am often photographing what is visible to the eye, I truly believe it is the story behind a photograph that gives it meaning and life,” she says. “Our love stories are timeless, unique, and they connect us all.”

Abigail Johnson is fascinated by every detail of people’s lives. Her interest in their histories grew out of the mementoes and memories that her grandfather saved of her late grandmother, Barbara Roselie, whom she never met.

“I’m so thankful my PaPa kept their love story alive through her things, photos and his memories. It made me realize how captivating history and memories can be,” she says. “It was through my grandparents and their epic love story that my love for all things sentimental, unique and antique really began.”

The contest was open to all CSRA residents. Couples could nominate themselves or be nominated by someone else.

The featured couples include an engaged pair that is getting married in May – pandemic or not, a husband and wife that finally admitted their true feelings for each other and eloped after a 12-year friendship, fun-loving empty nesters who make the most of every moment they spend together and mentor other young couples, and great-grandparents (and great dancers) who have been married for 51 years. Enjoy.

Near Misses

People

Augusta residents Brynn Allen and Nick Woo don’t plan to let covid-19 or anything else stop them from getting married on May 8, especially after a lifetime of near misses.

Both of them attended elementary school at St. Mary on the Hill Catholic School. Even though each grade had only two classes, they never were in the same one. Growing up, they knew lots of the same people, but not each other. “When we got older, we continued to just barely miss each other,” says Brynn. “Nick and I had so many mutual friends and were at so many of the same events together, it is almost laughable how we just kept missing each other.”

Those circumstances finally changed after a day at Clarks Hill Lake with friends the summer before their senior year in high school — Nick at Greenbrier High School and Brynn at Davidson Fine Arts Magnet School. “I think we might have been the only two that didn’t know each other,” Brynn says.

For their first date—which ended up being spread over two days—they sat on the dock at Savannah Rapids Pavilion and talked for hours. They had planned to get takeout food from Toki, but it didn’t work out. When they went back to the dock the next day to “finish” their date, they had Toki to-go boxes in hand.

Once they finally started dating, they also had to overcome the challenges of a long-distance relationship. Brynn went to Georgia College & State University in Milledgeville, while Nick recently graduated from Augusta University. The separation wasn’t easy, they agree, but it allowed them space to grow as individuals.

Nick and Brynn have been together six years, but after a few months, she knew he was the man she wanted to marry. He proposed to her in July by recreating their first date with another Toki picnic on the Savannah Rapids dock. “To pop the question, there couldn’t have been better spot to do it,” he says.

They call communication the foundation of their relationship.

“You need to be vulnerable with that person you care about, open up and have the hard conversations,” Nick says.

“She pushes me to be the best I can be, and she supports me  in any endeavor.”

In addition, they simply have fun together and enjoy each other’s company.

“Every single year we have been together has been like a new year and a new adventure,” Brynn says.

Covid & Campus Life

People

Four university freshmen from Columbia County share their experiences of going off to college during the coronavirus pandemic.

The first year of college can be a time of excitement, anticipation, adventure, challenge, trepidation, self-discovery and personal growth all at once.

For the college Class of 2024, however, the worldwide coronavirus pandemic added one more layer to these students’ introduction to campus life. Not only did they have to finish their senior year of high school online. They also had to start their freshman year of college amid the uncertainty, rules and regulations of the pandemic.

These freshmen approached their first semester with strength and resilience, however, to make the most of their college experience. If life as we once knew it hasn’t returned by the end of their freshman year, here’s hoping they can start their sophomore year under more normal circumstances.

In this Q&A, which has been edited for space and clarity, they described what life on campus was like during their first semester of college.

Sara Blake Tully
Augusta University freshman, business major

Did covid influence where you decided to go to college?
Covid didn’t affect my decision to go to AU. I want to transfer to UGA next year, but with everything being so crazy, I’m glad I decided to stay home and live at my parents’ house.

What kind of rules or restrictions did you have to follow on campus because of covid?
We had to wear masks in every building we went in. If we were walking outside, we could bring our masks down. The majority of time that I was on campus, I had to have my mask on.

In the classrooms, the chairs and desks and tables were set up six feet apart. There were a lot less people in class than usual. At the food court, we had to stand in line six feet apart. We had tables, but only a limited number of people could sit at each table.

What happened when someone tested positive for covid-19? And did you have to isolate or quarantine for any reason?
I am not quite sure what would happen if a student tests positive for covid-19, but I did not have to quarantine or isolate for any reason.

Were your classes online or in-person?
I had two online classes and two in-person classes. I went to campus every morning. I took biology and history online, and public speaking and pre-calculus in-person. For biology, we got handouts to answer questions that went along with videos.

Did finishing high school online help you adjust to online classes in college?
It kind of helped. When we first went online in high school, no one knew what to do at first. It’s different now. Teachers are better at doing online lectures and working with all of the technology. 

Have you had to adjust your learning style because of online classes?
Online learning for me is a lot harder than in-person because I can’t grasp the information as well. I had to study more and change my focus. It was all on school. I was juggling two things at once with online and in-person classes.

What were you most looking forward to about going to college?
Getting a fresh start, being more independent and meeting new people.

What was reality like?
It was very isolated because of the masks. It wasn’t as personable. You couldn’t meet people in class. You couldn’t really talk because of the masks. It made things a little lonelier since most of my friends went off to school. Corona didn’t make it any easier.

I rushed, though, and joined a sorority – ADPi. It was supposed to be in-person, but we did it over Zoom. It was awkward because you’re talking over a computer screen. Sometimes there were awkward silences because of the internet connection.

We had chapter meetings over Zoom, but we did some sisterhood events. We wore masks for them. We had to have a limited number of people at the events, but I could still hang out with some of the girls. We did things outside. We would go to a park or have a picnic. We social distanced.

How do you date during covid?
(laughing) You don’t. it’s really difficult to do that.

What has been the biggest disappointment or challenge about going to college during covid?
It’s not getting the full college experience. I still went to campus, which I loved. But it was not the same because there was hardly anyone there.

Was anything better than you expected?
Deciding to stay home for school has been better than I thought. It’s been nice living at home. It’s been a good stress reliever from school.

Ten, 15 or 20 years from now, how will you look back on this experience?
I’ll definitely have many stories I can tell my kids. And it has been character building. I had to learn how to interact with people and teachers differently. I have learned not to take anything for granted. I know everyone wants to go back to how life was before corona.

Bryant Thomas
Clemson University freshman, pre-business major

Did covid influence where you decided to go to college?
No. My dad went to Clemson, so I’ve always wanted to go to Clemson.

Where are you living this year?
In a dorm with my roommate. We can only have a limited amount of other people in our dorm. And when they come in, they have to wear a mask. We don’t have any rules with our roommate because we’re around each other so much. But if we have other people in, they have to wear a mask.

What kind of rules or restrictions did you have to follow on campus because of covid?Any building you went into, you had to be wearing a mask. When you were outside, if social distancing couldn’t be guaranteed, you had to wear a mask. You had to make appointments to go into the campus gym or the library.

There weren’t as many dining options. Some of the dining halls were closed because of covid, and there were a lot less food options than there normally would be. For football games, they didn’t give out as many tickets to students, and there was social distancing. I didn’t get to go to any games.

What happened when someone tested positive for covid-19? And did you have to isolate or quarantine for any reason?
Anyone who tested positive for covid-19 at Clemson had to enter 10-day isolation, and his or her roommate had to enter 14-day quarantine, even if they tested negative. I did have to isolate around the beginning of October because I tested positive for covid-19. I had a fever and body aches for about three days, and then a cough and a sore throat for about a week.

Were your classes online or in-person?
Most of them were online. For some, I only went in-person on certain days of the week. I had an economics and a geology class that were all online. My sociology, math and business classes and an entrepreneurial elective were online and in-person. The professors posted video lectures.

How did taking classes online work with a roommate?
We just ignored each other, I guess. 

Did finishing high school online help you adjust to online classes in college?
It helped. It was still kind of frustrating, though, having to sit in your dorm all day.

Have you had to adjust your learning style because of online classes?
I think of myself as more of a hands-on learner, and that’s just difficult to do through Zoom. I’ve had to switch to a more visual, auditory learning style.

What were you looking forward to most about going to college?
I was looking forward to being independent, living on my own and making new friends. That’s been a lot harder this year because of covid, but I still found ways to meet new people by getting involved in campus organizations and through my dorm.

I didn’t join a fraternity. I might next semester, but I’m not sure. Because of covid, we’re all hesitant. They can’t really do many events. We would have to go through rush on Zoom. But everyone here is sick of Zoom calls because that’s what we do for most of our classes.

How do you date during covid?
As long as you keep your group small, there isn’t really any problem. And a lot of the businesses and restaurants are still open.

What has been the biggest disappointment or challenge about going to college during covid?
I guess not really being able to go out and do anything. There are, of course, restrictions on gatherings or parties. I only saw a few situations where big groups got busted up. It was frustrating that we couldn’t have people in the dorm or go to class in person.

Was anything better than you expected?
Despite all of the covid, I think the university tried really hard to make this semester as normal as it could be. By not sending us home when our cases went up, that made it easier to go out and make new friends.

Ten, 15 or 20 years from now, how will you look back on this experience?
It’s like being part of history. I think a lot of things are going to change even after covid goes away. If I can live through this, I can make it through anything.

Sanders Hackett
University of Georgia freshman, civil engineering major

Did covid influence where you decided to go to college?
No. I told my mom when I was 4 or 5 years old that I wanted to go to UGA, and that’s what I worked for all throughout school. When I got accepted – worldwide pandemic or not – I wanted to go to UGA.

What kind of rules or restrictions did you have to follow on campus because of covid?
At UGA, the rules are pretty strict. Anytime you’re inside any sort of building, even at the gym, you have to have a mask on. Everywhere is marked off with little dots six feet apart. Anywhere you go, there’s always hand sanitizer and wipes. If you touch something that other people may touch, you wipe it down afterward.

In the dorm, it’s you and your roommate. Other than that, there are no visitors and no guests. Not even people from your own hall are supposed to be in your room.

The meal plan and the dining halls have been one of the biggest changes. When we started school, it was takeout only and the options were limited. The lines were long. Some people dropped their meal plan, but I didn’t.

I give UGA a lot of credit for asking students what they could do to better serve us. It became a more efficient process, and there were some dine-in options. The food variety got much better.

What happened when someone tested positive for covid-19? And did you have to isolate or quarantine for any reason?
When someone tested positive at UGA, they were immediately sent to isolation in a specifically designed dorm for people who test positive for covid-19. They were then given the option to go home or to stay in the isolation dorm. However, they were not allowed to return to campus for a minimum of 14 days after a positive test. This proved to be extremely effective in getting those who tested positive out of the general student body and allowing them to return to full health. I have not had to quarantine or isolate for any reason yet. I been extremely blessed and fortunate that I have been able to stay healthy.

Were your classes online or in person?
I had two classes that met in-person once a week and one that met in-person every other week. The other two were online. Calculus and world geography were online. I took two different introductory engineering courses. One met in-person once a week, and the other one met in-person every other week. My public speaking class met in-person once a week.

How did taking classes online work with a roommate?
That was one of several struggles we had. Luckily for us, we only had one class at the same time. We usually weren’t trying to do Zoom classes at the same time. It was a lot of headphones in and “please be quiet” from the other side of the room.

Did finishing high school online help you adjust to online classes in college?

As terrible as it is and was – yes. The way that we had to end high school in an online forum, it did help with the transition to online classes in college. For me, it helped with time management for online classes. You don’t have to go to class every single time it meets, but there are still deadlines for quizzes, tests and other assignments.

Have you had to adjust your learning style because of online classes?
Yes. I like being in-person and having that interaction with the teachers. I like being able to ask questions or go up to them after class.

What were you looking forward to most about going to college?
I envisioned I would be living out my dream and participating in some of the great things Athens has to offer – dorm life, going to football games and making new friends. I have been able to do some of that, but not on a large scale.

I have gotten involved in Greek life. I joined Theta Chi, and we were able to have some small events as long as we followed all of the state rules and school rules and regulations.

But with covid, I knew that the social aspect was going to be hard. I had prepared myself for this and for the challenge of earning a degree.

I also am employed part-time at RW Allen as an intern in project management and estimating. I carried that piece of home with me, but we have limited in-person interaction.

How did you go through rush?
It was a lot different. There were not any big events. When we did the house tours, everybody had to wear their masks. Only a limited number of people could be in a house at one time. We had to social distance for everything. 

How did covid affect your social life?
It tore apart my social life. I am an extremely, extremely social person. I haven’t had some of the social gatherings I thought I would have when I came to college. It has affected going on trips.

I have only been to two football games, and it was very, very different. I’ve been to UGA games all my life. I’m used to being there with 100,000 people. It’s usually loud with lots of energy. It’s hard to recreate that same experience with only around 20,000 people there.

How do you date during covid?
It’s tough. I’m not going to lie. My roommate has a girlfriend, but they have been dating a long time. You can’t date traditionally. There are not as many opportunities to go out to eat or go to a football game. There are limited social opportunities right now.

What has been the biggest disappointment or challenge about going to college during covid?
For me, I’m a very social person. There have not been very many social events or as many social gatherings as we would normally have. It’s been nothing like what I used to hear about from my other friends or when I would visit. That has been the hardest aspect for me.

Has anything been better than you expected?
The bathrooms in my dorm. Friends had told me the bathrooms are awful. I’m not saying they’re nice, but they are not as awful as everyone made them out to be.

Ten, 15 or 20 years from now, how will you look back on this experience?
That’s a tough question. Looking back on it, I hope I’ll be able to say I made the best out of the situation. I want to be able to say I had a good, positive freshman year, but I also followed the rules and regulations that are in place.

Everybody here understands that we all want to have a good time, and we all want to be able to have the normal freshman experience. But we’re not able to do that right now. The only way to get back to normal is to follow the guidelines and rules from the government and the school.

Grace O’Neal
Georgia Southern University freshman, nursing major

Did covid influence where you decided to go to college?
Not really. It hasn’t made me change my mind about my major, either. Not yet, anyway.

 What kind of rules or restrictions did you have to follow on campus because of covid?
We always had to wear a mask on campus and in class or when we went in any building. We were not allowed to have any visitors in our dorms. We had limited capacity in our classrooms, and it was optional for us to go to class in-person. If we were uncomfortable, we could go on Zoom for our classes.

What happened when someone tested positive for covid-19? And did you have to isolate or quarantine for any reason?
We have an online Georgia Southern portal with a CARES (Covid-19 Answers Resources Evaluation and Self-reporting) Center, where we were supposed to report our sickness and let our professors know. The dining hall had to-go boxes, and you were allowed to get two of them. So, if your roommate was sick, you could get one for them.

For the first couple of weeks of school, most of the people I know had covid, including me and my roommate. We had it at the same time. It wasn’t that bad. The only thing that happened to me was I lost my taste and smell, but we couldn’t do anything then.

Were your classes online or in-person?
I had three classes in-person – universal justice, government and English. One was only half a semester, though. I took chemistry and a first-year experience class that all freshmen have to take online.

How did taking classes online work with a roommate?
In our dorm, we each have our own room. I could sit in my room and shut the door.

Did finishing high school online help you adjust to online classes in college?
To a certain extent. It made me realize that I had to wake up every day and see what I had to do. At the end of our senior year in high school, they were pushing us across the finish line. It has been a lot harder in college, though. The load of work is definitely a lot more, and it’s a lot more difficult.

Have you had to adjust your learning style because of online classes?
I definitely have had to adjust my learning style due to online classes. I’ve had to get used to emailing my professors often with questions and figuring out a lot of things on my own by googling videos to explain topics I don’t understand.

What were you looking forward to most about going to college?
I was really excited to get away from home, branch out and meet new people, and live on my own. I have been surrounded by the same people my whole life.

What was reality like?
At first it was super difficult because of covid. I didn’t get to meet as many people as I thought. Over time, things got better, and I met new people. I’m in a sorority, but we weren’t getting to do anything at first. Later we could do more activities, but we had to have our masks on.

I joined ADPi, and we did rush on Zoom calls the whole week. We had a different Zoom call for each sorority every day.

How do you date during covid?
I have a boyfriend, so I’ll go to his house and hang out there and eat dinner there. Most of the restaurants in town are still open, so we can go out to eat.

What has been the biggest disappointment or challenge about going to college during covid?For me, I wanted to rush, and I was really excited about the things we would get to do with our sorority. But we haven’t been able to do much. And my parents can’t really come to visit me.

Has anything been better than you expected?
The number of friends I have been able to make has been better than I expected. I wasn’t sure I would be able to meet new friends at first.

Ten, 15 or 20 years from now, how will you look back on this experience?
It’s definitely going to be something I’ll remember. I’m glad I’ll have this story to tell that I was a freshman in college and a senior in high school during covid. Those are two really big years, and covid has altered them.

‘The Language of the Heart’

People

Photography by Sally Kolar

A Jones Creek couple celebrates the spirit of the season with string instruments, song and the occasional surprise at their annual Christmas party.
When people move from one city to another, it’s customary to pack up their belongings and bring them to their new place. Then there are Evans residents Monica and Paul Dainer.

Each time they have moved through the years, they have taken their annual Christmas party, featuring live music, with them. Last year the Dainers, who live in Jones Creek, held their 38th annual party.

“It’s something we’ve always done,” says Monica. “It always comes together.”

Unfortunately, they had to change their tune this year and cancel the party because of the coronavirus pandemic. However, they still might find a way to strike the right note for the times.

“We’re so disappointed that we can’t have the party, but we may do something virtually,” says Paul. “And we hope to have the party again next year.”

Traveling Show
Paul started the Christmas party tradition in the late 1970s when he was single, serving in the U.S. Navy and stationed in San Diego. In 1979 Paul, a hematologist and oncologist at Georgia Cancer Center, was transferred to the naval hospital in Charleston, South Carolina, where he first met Monica and told her about the party.

“I thought it sounded like a lot of fun to celebrate the season with live music,” she says.

Paul, who also played viola for the Charleston Symphony, enlisted some of his symphony colleagues and the organist/pianist from St. John’s Lutheran Church to play with him at the party. He also had bought a new baby grand piano just in time for the occasion, so he couldn’t let that purchase go to waste.

He made an even better family addition when he and Monica married shortly after the second party.

They took their party with them when they moved to Bethesda, Maryland and Jacksonville, Florida, where Paul played in their symphonies.

In Maryland, Monica says, “We attracted musicians from local orchestras and had already begun adding vocalists to the parties.”

They held two parties in Jacksonville with fellow members of the Jacksonville Symphony and other local musicians. “The first chair of the second violins delayed her Christmas vacation a day just to play first violin in a piano quintet with us,” Monica says.

From Jacksonville, the Dainers moved to Greenville, North Carolina, where their daughters, Erin and Caroline, started singing and performing on the piano and violin, respectively, during the four parties they had there. Monica began singing at the parties as well.

The Dainers settled in Evans in 1992, and they started hosting their annual Christmas party here the following year. Until this December, they had skipped the party only three times – the years they moved to Evans and Greenville and in 2009 when they had to cancel it after Paul had an accident a couple of days before the event. In 1982, the party was subdued after Monica had a miscarriage the night before and a heavy snow fell on the day of the party.

“We couldn’t reach everyone to cancel the event. In spite of the snow, a few people arrived, only about 10. We couldn’t turn them away,” Monica says. “It was a quieter and somewhat somber evening. However, we did manage to sing some favorite Christmas carols.”

Strings Attached
The black tie-optional party is a Christmas highlight for many of the Dainers’ friends, and the guest list has grown through the years.

“We started out with about 30 guests and have increased to over 70. We never know who will come because many of our friends have family commitments or have travel plans formulated months before the invitations have been sent,” says Monica.

Several years ago, more than 100 guests attended the party during a three- or four-hour time period. Some people stay for the entire evening; others drop in.

No wonder the party, which includes Christmas, religious, classical and popular music, is one that people don’t want to miss. With their ties to the local arts community, the Dainers can invite any number of talented musicians and vocalists to perform.

Paul, who plays viola for Aiken Civic Orchestra (and played with Augusta Symphony for 15 years) has enlisted many of his fellow musicians to appear at their parties.

Monica, a former nurse who now presents programs at the USC Aiken DuPont Planetarium, also has been active with Augusta Players as a performer and board member. “Through my connections with that organization, we have invited a number of very talented singers over the years,” she says. “And we always like to invite children and young people as guests and performers.”

Last year, for instance, Laura Doss, organist at Christ Church, Presbyterian and accompanist for Augusta Youth Chorale, played the piano and was accompanied by her three sons (ages 15, 10 and 9 at the time) on the violin and cello. The played “Good Christian Men, Rejoice” and “See Amid the Winter‘s Snow,” both arranged by Kristen Campbell.

Other performances included a piano solo by Moscow native and Columbus State University adjunct faculty member Ksenia Kurenysheva, who also accompanied Taiwan native Sho Ane Seaton as she sang the arias “Ombra Mai Fu” by Handel and “O Mio Babbino Caro” by Puccini.

Melissa Schultz, a voice and piano teacher who has performed throughout the United States and Canada, sang “Gesu Bambino” by Pietro Yon and Mozart’s “Laudate Dominum (k.339).” Members of the Christ the King Lutheran Church choir sang “O Little Town of Bethlehem.”

Mark Dickens, who has played the piano and organ in many area churches, and Stacy Reynolds, who has played piano for local musical theater groups and contemporary Christian music for churches for decades, also played the piano at last year’s party.

The Dainers pulled double duty as hosts and entertainers for the festivities. Monica sang with her choir from Christ the King, and she sang an Austrian Christmas carol, “Es wird scho glei dumpa,” with their daughter, Caroline Dainer Osburn, in Austrian-German dialect. Paul played the viola both as a soloist and in a chamber group.

He played Hoffmeister’s “Viola Concerto in D major”, third movement (Rondo) with Mark Dickens on piano. He performed “String Quintet No.4 in G Minor” (k.516) by Mozart with Adam and Andrew DePriest on violin, Janis Krauss on viola and Robert Gibson on cello.

He also played the fourth movement (Minuet) by Dittersdorf, a duet for a viola and string bass, with Adam DePriest. Finally, Paul played Christmas carols, arranged by Stan Pylant for three violas and the audience, with Stan and with Carl Purdy.

The program offered plenty of levity as well. Steven Hansen – a local actor, Greenbrier High School music and theater teacher, and Christ the King choir director – brought some fun to the occasion by singing “We Need a Little Christmas” and “You’re a Mean One, Mr. Grinch.”

Tyler Cook, a Bachelor of Music in Vocal Performance graduate of Augusta University who has won numerous state, regional and national musical theater competitions, sang the Christmas folk song, “River,” by Joni Mitchell and James Taylor, and “She Used to Be Mine” from the musical, Waitress.

Rabbi David Sirull of Adas Yeshurun Synagogue in Augusta, another performer at last year’s party, received classical training in the art of Eastern European Chazanut and Yiddish folk music. However, he sang several “redneck” songs from his collection, some of which can be found on YouTube.

The guests got into the act as well. After the scheduled performances, they joined in singing Christmas carols.

Expect the Unexpected
The Dainers never know what to expect at their party, except that it will be one for the ages – all ages, in fact. Last year, three babies were in attendance, which Monica says is unusual.

“They ranged in age from 5 weeks to 8 months, and they were perfect angels. We never heard them cry,” says Monica. “I guess they were mesmerized by the music.”

One year Paul’s 93-year-old father came to the party shortly after losing his wife. However, the music lifted his spirits. “He even was inspired to play some familiar songs on our piano as the party concluded,” Monica says.

On occasion, the Dainers have been surprised by the people they have found on their front porch. About 15 years ago, the doorbell rang during the party and they opened the door to a group of about eight college students singing Christmas carols. Naturally, the Dainers invited them inside to sing.

The couple loves to share the joy of the holiday season, and some aspects of the evening are entirely predictable. For instance, fellowship with good friends and good food from Silver Palm Catering Company – plus sweets, cookies, cakes and other treats made by Monica – are the perfect accompaniments to the party.

Still, the music is the star of the evening.

“Music transcends spoken language and has the power to bring people from diverse backgrounds together,” says Caroline. “You don’t have to sing or play an instrument to understand this language, because music is the language of the heart.”

By Sarah James


 

A Little Fitness, a Lot of Fashion

Community Groups in Action

Photos courtesy of Emma Kohtanen, @emmakohtanen

A local Instagram influencer has built a loyal following with her savvy sense of style and creative content.
At first glance, a flair for fashion, a penchant for walls and a tiny dormitory mailbox would seem to have little in common.

Well, not so fast. The unlikely combination has played a role in the success of Instagram influencer Emma Kohtanen of Grovetown.

An Instagram influencer is someone who creates content about a particular topic (say fashion, food or travel) to share on the visually driven social media platform and builds a community around that niche.

In the last five years, Emma. a 23-year-old Augusta University graduate who works as a marketing coordinator in Evans, has built an Instagram following of 20,000-plus and counting. Her content, like any good influencer, reflects her passions – a little fitness, a lot of fashion.

She uses the social media platform to promote clothing brands and to provide her followers with a source of inspiration for quick outfit ideas.

“I have clothing crises a lot,” says Emma. “I don’t know what to wear sometimes, and I want to eliminate that problem for other people.”

Sense of Style
Emma got her start as a fashion blogger as an 18-year-old when she wrote her first post about her personal style while sitting on her parents’ living room couch.

“I really love clothing and pulling pieces together,” she says.

She always has had an interest in fashion, but her style has evolved in the past several years.

The native of Finland, who moved to Georgia 10 years ago with her family because of her father’s job, used to wear a lot of simple black, white and gray clothing. Her tastes have changed, however, after living in the American South.

“My style is simplistic. It’s a mix of Southern and European,” Emma says. “I like florals, bright colors and girly clothes.”

She has shifted her social media preference as well. Once she started posting photos on Instagram, she never looked back. “Nowadays, people don’t feel like reading long blog posts,” says Emma.

One thing that has never varied, however, is her love of shoes – especially statement heels.

“I like simplistic outfits, but I like to wear shoes that bring the look altogether,” she says. “Accessories can dress an outfit up or down.”

Win-Win-Win
It took Emma about six months to get her first Instagram collaboration, which was with HandPicked, a jewelry store in Augusta. “I styled outfits with their jewelry and got to keep a piece,” she says.

(For the uninitiated, a collaboration is when one Instagram user teams up with another for promotional purposes to increase their audiences or reach in a mutually beneficial arrangement. It can be paid or unpaid.)

To find collaborators, Emma exchanges emails with companies and constantly posts photos to attract the interest of clothiers. About 80 percent of time, however, retailers contact her first to see if she would like to wear their outfits in her posts. Companies pay her to model their clothing.

In addition, she says, “I get to keep the clothes, which is a nice bonus.”

Emma typically tags the products in her photos and links the outfits or accessories she wears to the LIKEtoKNOW.it app, where people can shop the looks of influencers, stylists and celebrities. She gets a commission when someone buys a piece of clothing from that app.

The collaboration is a win-win-win. The retailer makes a sale; the influencer gets a cut of the profits; and the followers gets access to items they otherwise may not have known about.

“There are so many online boutiques,” says Emma. “The clothing companies give me discount codes, and my followers can use them.”

She usually takes photos on weekends, and she tries to post something two or three times a week. Her younger brother, Eemeli, and her fiancé, Brent Pruitt, are her photographers.

“When I first started, I didn’t know anybody. They’ve been a huge help. I just go with it, and they click the button,” says Emma, who was interested in modeling when she was younger but has no formal experience.

They do photo shoots at random locations such as business buildings, Augusta Mall and downtown Augusta. However, the settings typically have one element in common.

“Wherever I see a wall,” says Emma. “I like the whole urban look with no trees.”

Relatability & Authenticity
Emma first realized she was on to something when she was a freshman in college at Kennesaw State University in 2017. Since tiny dormitory mailboxes can’t really accommodate large packages, she had the clothing from her collaborators mailed to her parents’ house.

“I would get 20 packages a day, so I realized I had to move back home,” says Emma, who transferred to AU.

Her influencer status also gave Emma a leg up on her education. “When I was taking marketing classes in college, especially digital and social media classes, I already knew 70 percent of the material,” she says.

Now that she has graduated and joined the work force, her side gig helps her in her marketing coordinator position as well.

Her Instagram audience is made up primarily of college coeds and clothing shoppers on a budget, and they can interact with her by sending her direct messages or commenting on her posts.

“I want to be relatable,” says Emma. “I don’t post $200 shirts. I post $20 clothes.”

She also has found a foolproof way to build her social media community.

“You have to be yourself and have a passion for whatever you do,” Emma says. “Followers can tell if you’re authentic.”

She posts Instagram stories nearly every day as well.

“I try to post something in live time to keep it relevant,” she says. “I’ll post things from my daily life like walking my dog or going to the gym. I want my followers to know that I’m not only about fashion.”

While free clothing has been a tangible benefit of being an influencer for Emma, she has enjoyed intangible perks as well.

“I get to be creative,” she says. “If I have an idea, I don’t have to run it by somebody else.”

She hopes to build on her success as an Instagram influencer in the future.

“I definitely want to have my own clothing boutique one day,” says Emma. “I would want to make the experience at the boutique relate back to my blogging and integrate my experience into the boutique.”

In the meantime, though, expect to see more of Emma and her fashion sense on Instagram. After all, she says, “My stories and posts have been good to me.”

By Leigh Howard

 

‘All About the Storytelling’

People

Photos courtesy of Mark Albertin

Regardless of the type of camera he has in his hand, a local documentary filmmaker and photographer loves to preserve special moments in time.

Growing up in Wisconsin, Augusta resident Mark Albertin knew little about the South other than the often distorted portrayal he saw of it on film and television. However, his maternal grandmother was born and raised in Augusta, so he had a connection to the region.

He moved to Georgia in 1986, but he strengthened his ties to the South even more when he made his first video – a tribute to his grandmother – as a birthday gift for his own mother years ago.

“It all comes back to the roots of where it started,” says Albertin. “I never met my grandmother, but I wanted to know who she was. My mother talked about us like we were soup. She said we came from good stock.”

As it turns out, that dive into his ancestry was a gift to himself as well. After making the video, Albertin started Scrapbook Video Productions in 2000 to produce documentary films. He made a $30,000 investment in equipment, including a high-end video production camera and editing equipment, to start the business.

“I was bitten by the bug, and I wanted to do bigger and better things,” he says. “It allows me to do the projects that I want to do.”

Many of his productions, which range from stories of towns to noted individuals, have aired on PBS and received awards from film festivals across the country. His newest film, Finding Home – 20th Century Voices of Augusta is slated to premiere late this year or early next year. Albertin had planned to hold the premiere in August at Imperial Theatre, but it has been postponed due to the coronavirus pandemic.

This film is a revised version of Augusta Remembers, which aired on Georgia Public Television in 2000. For the original documentary, Albertin interviewed his grandmother’s contemporaries about life in Augusta from the early 1900s to the 1940s. In Finding Home, Albertin has added interviews with local residents about living in the area from the 1950s through the 1980s.

“The documentaries that include oral histories are essential. We need as a nation to listen to our older people,” Albertin says. “It gives us comfort and support and makes us feel better to know that other people lived through hard times.”

School of Hard Knocks
Albertin, who also is a professional photographer, is a self-taught filmmaker. His original skill set is in color separation for the four-color printing process. That process is flat and two-dimensional, he says, so he started attending video boot camp training classes in Atlanta and Charlotte in his spare time.

In addition, he says, “I went to the school of hard knocks where you’re up until three in the morning trying to figure something out.”

Like many documentary filmmakers, Albertin says, he followed the lead of celebrated documentarian Ken Burns, who uses archival footage and photographs, to transform a film from a product with boring narratives and static images into something more compelling.

“Ken Burns showed us that you can use voices, sound effects and music from the time period,” says Albertin. “The key is to pull people in, and you can do that with writing, sound effects, voiceovers and real people. The audience needs to engage with the film and feel a connection to the people and the subject matter.”

Albertin enjoys every aspect of filmmaking from adding movement, sound and sound effects to conducting interviews and writing the scripts. “It’s a blast to do this stuff,” he says. “It allows me to really be creative.”

He spends 80 percent of his time on video, 15 percent on photography and 5 percent writing. “I love all three of those things, and I find ways to mesh them together,” Albertin says.

He also likes to meet people and talk to them, and he has learned firsthand from people’s oral histories what it was like to live through trying times such as the Dust Bowl or the Holocaust.

“If these people are good storytellers, they take you somewhere you’ve never been,” says Albertin. “I can feel their pain when they tell me their stories. People in the twilight of their lives want to talk about their experiences for posterity.”

He spends a lot of time doing research and tracking down people, and he wants those he interviews to feel like they have been heard and respected.

“The people that know that history are the ones that are going to come and watch a premiere,” says Albertin. “The main audience that I’m appealing to is age 70-plus. To capture their stories and preserve them is a wonderful thing to do. The feeling that I get in my heart and soul is something I can’t explain.”

He often relies on narration early in his documentaries to set the stage, and he says the narrator can “make or break” a film.

“Each film has a different formula, depending on what the storyline is,” Albertin says. “Sometimes you start with the ending first. They’re not always chronological.”

Feeding the Senses
Some of his other documentaries include Displaced: The Unexpected Fallout from the Cold War, about the development of the Savannah River Site that displaced more than 5,000 residents in rural South Carolina communities, and Discovering Dave: Spirit Captured in Clay, about a literate slave potter who lived in Edgefield, South Carolina and wrote verse and poetry on his pots. He also has done a Remember series about various towns such as Augusta and Savannah in Georgia, St. Augustine and Jacksonville in Florida, Beaufort, North Carolina and Topeka, Kansas.

He made the award-winning War Stories – Augusta Area Veterans Remember World War II, in which he spent four years interviewing local veterans from all branches of the military to highlight their World War II experiences.

This project began as part of the Veteran’s History Project, which was undertaken by the Augusta Richmond County Historical Society to add to the Library of Congress Veterans History Project. To collect these oral histories, Albertin went to Brandon Wilde and interviewed 20 veterans a day.

“You’re not going to get rich making documentaries,” says Albertin, who also does promotional spots and commercial videos. “It’s the satisfaction of preserving something and creating something that makes people laugh or cry.”

The reaction to his work is something that Albertin usually experiences secondhand, however. He says he never sits in the theater when his films premiere. Instead, he dispatches his wife to join the audience while he settles in the lobby.

Maybe he should rethink that plan, however, because his wife usually tells him he should have been in the theater to see the positive reaction to his films.

“When I’m gone, I will have hopefully left something behind that people can learn from,” says Albertin. “Film was, and hopefully one day, will become a social event again. I love film because you’re seeing two things happen. You hear and see, so you’re getting two senses fed at once.”

Documentaries need to be fair and balanced, he says, and he covers difficult issues such as racial injustice in his films.

“It’s something we need to see and hear. We need to understand that it can happen again, and we need to make sure it doesn’t happen again,” says Albertin. “Everybody has their own angle on what happened.”

Blending In
When he photographs a subject, Albertin approaches it from different viewpoints as well.

“Photography is an extension of video,” he says. “It’s trying to tell a story with pieces in an artistic manner. It’s all about the storytelling. Sometimes one picture is all you need. Sometimes you need multiple pictures with multiple angles.”

His love of photography dates back to his childhood when he would borrow cameras from his father, who was a medical illustrator. And that interest “never went away.”

“I love going out and playing with old cameras. The results you get are totally different from digital,” says Albertin.

He prefers photographing landscapes to people because he finds it less stressful. “Those places are where I find peace,” he says of landscapes. “They’re getting harder and harder to find.”

He says it’s pleasant to go outside – other than having to lug all the gear around. He likes to capture the light or early morning dewdrops on leaves. When he goes into the woods, he usually is alone.

“You have to sit still for a while to blend into a setting,” Albertin says.

He is just as likely to shoot in black and white as he is in color, depending on what he wants to accomplish.

“To me, color is really at its best in the spring,” says Albertin. “Black and white is a more spiritual medium. I use black and white when I want people to notice the object and the composition. Black and white can do amazing things if you use the right filter.”

Whether he is making films or photographs, Albertin hopes his work provides people with an escape.

“I want people to be able to leave their stress, their worries and their problems behind and get into another place and see what I saw,” he says. “To me, that is another way to do something good.”

By Leigh Howard

Take it to Heart

People

Photos courtesy of University Health Care System

While covid-19 is a known respiratory syndrome, evidence is emerging that the virus can affect heart health as well.

The novel coronavirus has its name for a reason. From devising improved treatments to understanding its effects on the human body, the medical community is discovering more and more about covid-19, the disease caused by the coronavirus. While covid-19 is a known respiratory syndrome, evidence is emerging that the virus can affect heart health as well.

“In cardiology journals we have seen volumes about the development of the relationship between covid and cardiovascular issues in the past six months,” says Dr. Mac Bowman, medical director, cardiovascular practices at University Health Care System. “That’s the acuity and majesty of an organized, scientific approach. We continue to learn.”

An Ounce of Prevention
People who are most at risk for cardiovascular ailments can be susceptible due to genetics or to lifestyle choices. However, Bowman emphasizes that the best way for people to avoid cardiovascular issues is to mitigate the risk factors that make them prone to heart disease.

Genetically susceptible people have a family history of heart disease, heart attacks, stroke and diabetes. While family history cannot be changed, other risk factors, which Bowman calls the “big four” — elevated blood pressure, tobacco use, abnormal lipid status and blood sugar levels — are modifiable.

Blood pressure readings should not rise above 134/84, Bowman says. As for tobacco use, regardless of the form, he says, “The appropriate amount is zero.”

Levels of HDL cholesterol (the good one) should be higher than 40 – 45 milligrams per deciliter – “the higher, the better,” and levels of LDL cholesterol (the bad one) should be below 85 mg/dL. “That has changed,” says Bowman. “It used to be below 100.” And finally, triglycerides should be below 150.

A fasting blood sugar should be 100 mg/dL or less, or a normal A1c, the average blood sugar level for three-months, is 5.7 percent or less.

Other modifiable risk factors, which have become more prevalent with the onset of the coronavirus pandemic, are a sedentary lifestyle and stress that, in turn, exaggerate risk factors for cardiovascular disease.

“This has turned most individuals, most households, most work places and most hospitals askance to the direction it was before,” says Bowman.

With more people working from home, lifestyle habits have changed. “Home is supposed to be a safe space where we do the things that make us feel warm and fuzzy,” Bowman says.

However, some people who have been spending increased time at home are more isolated or are juggling work, school and childcare responsibilities. They have gained weight because they’re eating more and making poor nutrition choices. They don’t sleep well, and their heart rate and blood pressure are higher. In addition, Bowman says, homebound people are watching coronavirus news coverage that can be “depressing, disheartening and frightening.”

“If you don’t have an effective way to deal with that, it can have adverse consequences,” he adds. “It’s important to face concerns honestly and forthrightly and face them with a plan.”

In Control
First and foremost, Bowman recommends that people focus on the things they can control to safeguard themselves from covid and other health problems.

“Social distance. Wear a mask. It’s not a political statement. It lessens your ability to infect somebody else, and it protects you,” he says. “Keep yourself in the best physical and mental shape that you can. Get fresh air; go outside; walk; dance; and take your medications.”

Even people who naturally are tightly wired can find ways to dissipate stress, and physical activity is a good way to relieve tension.

“Exercise in a fun and healthy way helps blood vessels relax and helps people burn off energy in a positive way,” Bowman says.

Since the coronavirus pandemic began, people have postponed or skipped doctor’s appointments. However, Bowman stresses the need for cardiovascular patients to keep their regularly scheduled appointments.

“We try to identify evidence of a problem, and most importantly, we try to help them rectify that problem,” he says. “We do it as a team.”

At his office, like other medical practices, the staff has taken precautions to make patient visits as safe as they can. Social distancing and masks are required, and patients’ temperatures are taken. “We try to make them feel as comfortable as possible,” Bowman says.

For patients who are apprehensive about going to the office for an in-person visit, his practice offers video visits, telemedicine and phone calls to discuss lab results and medications.

“We try to give them options,” he says.

Patients’ family members currently cannot come with them to office visits, but the patients themselves often are the best advocates for their health.

“If you have a pre-existing condition, it’s important that you listen to your body,” says Bowman. “Especially if you’re in a high-risk group where you have high blood pressure, diabetes or you have felt pressure in your chest before, you can’t stay home and talk yourself out of being seen by a doctor.”

Cardiovascular patients that avoid treatment can suffer serious consequences. When people suffer a heart attack at home and delay treatment, Bowman says, they lose heart muscle and don’t get it back. This also could result in congestive heart failure later.

“People need to take care of themselves. Don’t delay if you have an issue. There are ways to be treated,” says Bowman. “The later we see you, the less we can do.”

However, taking precautions doesn’t take the risk factors down “to zero.”

“Just because you’re high risk doesn’t mean you’ll get covid, but you need to be more hyper-vigilant,” Bowman says. “And there’s twice the possibility you’ll have cardiovascular involvement.”

Covid and Cardio
The cardiologist says 20 percent of covid patients will have some enzyme elevation, which indicates that the virus has affected the heart muscle. For those who are at greater risk for heart disease, the probability of enzyme elevation jumps to 35 percent to 50 percent.

“The heart very early on identified itself as a strong player in this situation,” says Bowman.

The higher the cardiac lab abnormalities such as cell damage, inflammation or heart wall stress, he says, the greater the potential for cardiac adversity, including death.

“With covid, inflammation of the heart doesn’t mean it has irrevocable damage, but some people could have less stamina,” he says. “There are questions about the residual effects of people with moderate inflammation.”

If the virus attacks blood vessels, it can increase the possibility of a stroke. In addition, blood clots can form when small vessels in the extremities become inflamed.

“Because covid affects the blood vessels and everything traveling to the heart, it can cause life-threatening blood clots to the heart,” says Bowman. “Multiple organs can become affected, and they don’t show improvement.”

Research has shown that even athletes who have been infected with the coronavirus could be at risk for heart complications, he says, and there is a question of “how soon is too soon” for them to return to action.

Meeting the Challenge
Of covid patients, Bowman says, 75 percent to 80 percent feel bad for two to three weeks, and 10 percent to 15 percent require hospitalization. Another 5 percent to 8 percent go on a ventilator, with a minimal likelihood of getting off of it. 

Covid-19 has challenged physicians to try new strategies, the cardiologist says, and treatments have changed since March.

Initially, patients on ventilators laid on their backs. Now, however, they are put in a prone position on their stomachs, and they are improving faster. “In the covid age, it’s a routine part of pulmonary maintenance,” says Bowman.

In addition, he says, covid patients are being treated with the medications remdesivir and dexamethasone as well as blood plasma that has been donated by people who have recovered from covid-19. Patients also are put on blood thinners earlier now to treat complications of the disease.

Physicians are still learning about the virus, Bowman says. For instance, they have found that some people have T-cell lymphocytes that fight the virus and protect them from covid.

“The cells stay in the blood and have memory to attack covid, but we don’t know why,” he says.

However, Bowman calls herd immunity “potentially dangerous.”

The science is unclear if those who have contracted covid-19 are immune to future infection, and the intermediate and longer term consequences of the coronavirus are unknown. And, under a herd immunity strategy, those who are affected less severely by the disease still can pass the virus to the elderly and others who have a higher risk of mortality.

Bowman, who has been practicing medicine since 1977, believes testing and a vaccine are key to battling the pandemic.

“Getting quick testing is the next big thing we need to do, with results available in 15 minutes to two hours. Contact tracing goes out the window when it takes a longer time to get results,” he says. “Quick testing would be a usable weapon. We ought to have it. I don’t understand why we don’t.”

He is optimistic about the development of a vaccine as well.

“I believe as we get a vaccine, and we will, it won’t be an instantaneous answer. But it will be better,” he says.

The cardiologist believes people should have no reservations about getting the vaccine, but that people in high-risk categories should be the first to receive it. He also says he has never seen anything like this virus in all his years of practicing medicine.

“It’s real. It’s real. It’s humbling. It’s eye-opening. It’s challenging in every way, shape and form,” Bowman says of covid-19. “Everywhere you look, it has changed a norm. Doctors are no different. We need a level of insight, energy and humility. There is no comfort zone.”

Nevertheless, he is quite comfortable with his mantra to remind people to try to stay as healthy as possible until the pandemic ends.

“Six feet apart. Avoid crowds. Sunshine when you can. Regular exercise. Good nutrition. Wear your mask,” says Bowman. “And say your prayers – before, after, in reverse and upside down.”

 

By Betsy Gilliland

Respite from the Fast Lane

In The Home

Photography by Sally Kolar

A couple that has plenty of get up and go can put on the brakes at their Clarks Hill Lake home when they’re ready for some down time

For two people who live life to the max, empty nesters Christine and Chris Walker took a minimalist approach when they downsized to a two-bedroom home on Clarks Hill Lake two years ago.

The exterior of the contemporary house is made of stucco, hardy board and 1-inch-thick cultured stone cut into 12-inch-by-24-inch pieces. Inside, the clean lines and open spaces offer the perfect backdrop to showcase the Walkers’ collections of art, sports memorabilia and automobiles.

“We have a fast life with the business we have,” says Chris, who owns Southeast Utilities of Georgia and also builds custom Ford F650 super trucks. “When we’re not working, we can spend time at the house for quiet and solitude. The lake is our passion. It’s our release.”

Sporting Life
The Walkers, who used to spend almost every weekend at Clarks Hill, knew they wanted to build a house on the lake. When they first saw the property they now call home, however, they didn’t like it. “The lot was completely wooded,” says Christine. “You couldn’t even see the water.”

After a second look, however, they reconsidered. Now the footprint of the house occupies space that once was filled with giant boulders, and the front door marks the spot where a giant white oak tree stood.

“Everybody in the family helped prep the land for the house,” says Chris. “After the land was prepped and organized, then we built the house. It made the placement of the house easier. I oversaw or built everything.”

It took the Walkers about a year to build the house, and they moved into the Appling home two years ago. They also took a collaborative, but unorthodox, approach to the design of the house.

“We designed the garage, and then we designed the house around it,” says Chris. “I designed and engineered the house, and Christine was in charge of the interior design.”

A garage-first approach might be unconventional for most people, but not for the Walkers. Chris raced formula cars in the 1980s, and the custom truck builder also collects vehicles, which he houses in the 4,000-square-foot garage.

His collection includes a special edition, handmade Rolls Royce, which has a special sound system for opera and classical music with copper speakers and coils; a handmade, all carbon fiber 2019 McLaren 720s; a 1958 Jeep pickup, which was fully restored for Jay Leno’s garage; and a 110-year anniversary 2019 Morgan three-wheeler. He also has a fully electric, carbon fiber Lito Sora fighter bike – the motorcycle that Daniel Dae Kim’s character, Chin Ho Kelly, rode in “Hawaii Five-O.”

Chris collects professional sports memorabilia as well, and the garage is full of jerseys from pro athletes. “I’ve been collecting jerseys half my life,” says Chris. “I built trucks for a lot of these guys.”

He has signed jerseys from super truck customers including NFL stars Albert Haynesworth, Chad Ochocinco, Plaxico Burress and Irving Fryar and NBA greats Shaquille O’Neal and LeBron James. His collection also includes jerseys worn by professional athletes such as Dan Marino, Peyton Manning, Eli Manning, Russell Wilson, Joe Montana, Larry Bird and Greg Maddox.

Another sports memorabilia display in the garage features a collection of frames that each hold a photo of a Masters Tournament winner, his autograph and a badge from the year he won.

Other wall displays include boating memorabilia – Chris races boats now, with Christine at his side as his navigator. He stores his 45-foot and 47-foot race boats in Lincolnton, but the Walkers, who love to travel, keep their 26-foot Chris-Craft Catalina at their Chigoe Creek dock. The dock bears the name “Walker’s Cay,” which they fittingly call their lake retreat after the northernmost island in the Bahamas.

During the winter, they go out on the lake about twice a month. The rest of the year, they’re on the lake four times a week.

“There’s a little island where we like to go to meet friends,” says Christine. “When we’re at home, we’re usually on the lake.”

Designed to Entertain
Even though the house only has two bedrooms, it was designed for sleepovers and entertainment. The house features four-and-a-half baths (including a full bath outside), and all of the couches turn into beds so friends and family who come over to play are welcome to spend the night.

Frequent guests include their children, Savannah Walker and Cameron Morbey, who live in the area. Their other two children – son Christopher, his wife, Alejandra, and their son, Eliah, who live in Florida, and daughter Whitney Weathers, her husband, Jim, and their daughter, Sadie Jane, who live in North Carolina – visit as well.

Just inside the front door, a floating staircase leads up to the entertainment room – a favorite hangout for the Walkers when they’re not traveling or on the lake. To build the staircase, they put that giant white oak tree from their property to good use. Chris had it milled, and he used the wood to make the 18 steps and the railing for the staircase.

“I would say what I wanted, and he made it,” Christine says. “He’s detail-oriented and romantic. And he listens.”

The entertainment room features a black bamboo floor, which is made up of planks that are 4.5 inches wide. “I like the sexiness of black hardwoods,” says Christine.

The room also features black trim work, teal walls and exposed A/C and heat duct. “It’s the one room that pops out from the rest of the house,” Chris says.

Railed openings on one wall overlook the living room on the first floor, and big picture windows on the opposite wall offer a view of the lake. Furnishings include white couches and a stamped aluminum coffee table. A chalkboard barn door opens to a full bath, which includes a vessel sink and a shower.

For fun and games, the room includes a pool table, a poker table, a dart board and a flat-screen TV. The entertainment room is full of more sports memorabilia as well. Chris’ collection, which he has amassed in 30-plus years, includes a pair of boxing gloves signed by Muhammad Ali; a half-dozen coins used for the opening coin flip in various Super Bowls; countless autographed NFL helmets signed by the entire teams (including a Patriots helmet from Tom Brady’s first Super Bowl); and an autographed football from the undefeated 1972 Miami Dolphins’ perfect season.

He also has a baseball from the 100-year anniversary of the World Series, which was signed by all of the living World Series MVPs; a case full of Hall of Fame bats; and a 1997 World Series trophy that belonged to Florida Marlins closer Robb Nen. “I taught him how to fish,” Chris says.

He loves all professional sports teams, but the south Florida native is partial to the Dolphins and the Marlins. Since moving to Georgia in 1996 (Chris was sold on Columbia County after a convenience store clerk told him “around here, you get your gas first and then pay for it”) he also has become a fan of the Falcons and the Braves.

The entertainment room leads to an open-air porch, where Christine and her girlfriends like to sit during “game night” at the Walker house. The porch features a fire pit surrounded by four square stools and an outdoor kitchen with a teppanyaki grill. A spiral staircase connects it to another porch below.

Spacious & Sleek
A vaulted ceiling brings a feeling of spaciousness to the living room, where big picture windows overlook the landscaping in the front yard. “We don’t like curtains and doors,” says Christine.

However, the doors they have were made in Italy with solid wood, and they’re lined with aluminum strips. A two-sided, vented, propane-burning, slate fireplace separates the family room and the kitchen.

Chris made the open shelves in the kitchen from the oak tree they had milled and mounted them with industrial plumbing pipes that he painted black. The oak ceiling was made from the tree as well.

In addition, the kitchen features deep drawers and cabinetry with no hardware, a farmhouse sink, stainless steel appliances, a walk-in pantry with a pocket door and a chandelier, and countertops of vein-free, manmade material. A clear vase, which holds oil-based, floral décor, sits on the adjoining dining area table.

The master bedroom also features a vented, propane-burning, slate fireplace as well as a mirrored wall, a walk-in closet with an island in the middle and a “futuristic, crazy” chandelier.

“Every room has a chandelier, but that’s the only light fixture in the whole house that Chris picked out,” says Christine. “In the rest of the house, we have frou-frou chandeliers.”

Two oversized Oriental porcelain vases, which had belonged to Christine’s mother, stand in the corners on one side of the room. Doors lead out to a balcony on the other side.

The adjoining master bath has tile flooring, a stand-alone tub, a walk-through tile shower, two trough sinks and a separate water closet.

The antiques that Christine once favored have been replaced with sleek, modern furnishings, and artwork has a constant presence throughout the house as well. “Art can be passed down for many generations,” Christine says.

An oil painting, which they watched the artist finish on a river in Bangkok, hangs on one wall in the living room, and a hand drawing by Picasso hangs on another wall. A print called “Vintage” by Erté, a Russian-born 20th-century French artist and designer, hangs in the kitchen.

Tucked under the floating staircase, a hand-cut bronze sculpture, “Callisto” by Michael James Talbot, sits on a granite base. An abstract oil on canvas triptych lines the wall by the staircase.

They got a wood carving on the back porch in the mountains of Taipei, Taiwan when they took Christine’s mother there. “He is carved out of a tree root,” says Christine. “He has to be by a door because he wards off any bad spirits and brings in health and happiness.”

In a back hallway, the Walkers grouped 25 of their favorite black-and-white family photos in black frames with white mats. Even the laundry room is a gallery, where two pictures that Chris had done for his wife for Christmas one year, hang on a wall. To honor her penchant for footwear, one of the pictures is an oil painting of a shoe and the other features hundreds of shoes hand-etched with Xs and Os in copper.

While artwork is a necessity in the home, the couple took the opportunity to shed anything they no longer needed when they moved into their lake house. And that minimalist attitude hasn’t changed.

“If we don’t use it, we don’t keep it,” says Christine. “Except for clothes, shoes and pocketbooks. You can’t have too many of those.”

By Betsy Gilliland